
Funana is rocking Ghetto Bassquake hard right now. Accordeons, breakneck speed drums, sweet vocals from Cape Verde's finest. France's DJ Vielo tears it up Funana style on this tight little mix.
DJ Vielo - MiX FuN@N@



The video was shot over 2 days in Guguletu, one of Cape Town's most notorious townships and Teba's home turf - with all borrowed equipment - borrowed camera, boom box, the car on loan, people leting us into their houses to film. Back in the day, Teba was a member of the super successful kwaito group Skeem, which put out several albums before he left to do more socially conscious work. He now leads workshops in lyric writing and gumboot dancing (!), is part of the African Dope Sound System, has his own live band and has collaborated with the likes of Stereotyp, Godessa and SiBot.


I've made it no secret my love for Lusophone music, especially from Africa and the diaspora. Watch this great video at the Red Bull Music Video Archive for a brief rundown.

I've been waiting for this one!Tzochitl Soundsystem-Hay Guey (Toy Selectah Remix) (Direct Download)
This tune is called "Hay Guey" and it's a reworking of a song by Tzochitl Soundsystem. The rest of the EP includes remixes of tracks by Boys Noize, classic Peruvian chicha band Los Mirlos, Argentinian cumbia producer DJ Negro, and Panamanian dancehall MC Japanese. The record is available through Turntable Lab. Toy also has an upcoming release on Mad Decent later in the year.
Super Hot Fire U.K. Funky track from Donaeo gets the Heatwave Refix treatment! This is such a big tune, designed to make you do exactly what it says, and now with juggling! We go Party Hard!
Hey folks, a little self plug here... I did a blend for Ghetto Palms! Drop by The Fader website to pick it up, hope you all enjoy! It's called Descendants United. Also check here and here for info on the parties listed. Big Up, once again Eddie Stats!



I was sitting in a studio the other day and the engineer was playing a hip hop tune that sounded like it came from a kid sitting in a living room with his parent's collection of Motown LP's. I instantly recognized the musical voice of J Dilla. It was his work on projects like Donuts that really painted for me his ability to dissect a song and make it more than just a hip hop beat, but a look into how we are all functioning as post modern cultural producers. This was more than chopping up a song that you dig out of a record store crate. This was chopping up your ancestry. Here is a track I got awhile back at Soul-Sides.com, reworking a James Brown classic.